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August 2014
Dead Native
"Dead Native
"
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Dead Native's self-titled sophomore album has an overall cosmic feel starting with the cover but building through out in the sound. The band blends echoing elements of psych rock, shoegaze, mototik, and pop. There is also a blues under current, but it is toned down from their 2013 debut, Keep It Strange". The adventure on the new album builds through out the tracks, but the most effective cosmic track has to be "Traveling". The 9 minute epic space journey seems built to put anyone into orbit. It is followed up by the one of the heavier tracks, "Clean Kill", that trudges through muddy fields of throbbing guitars. The album closes with an anthemic flourish with "Respite" with all instruments soaring to a close. This may or may not be a concept album, but it does truly feel like a complete listen that was meant to be played track by track. Dead Native's new album will be released on Sept. 2nd.


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Sama Dams 'Comfort in Doubt'

Boldly striking out into the gray terrain of potential copyright infringement is local avant-indie act Sama Dams. However, if it comes down to it they have a good shot of sidestepping the issue, not only because the inventive post-rock pearls they compose could make even the most protective Samuel Adams employee raise their pint glass in repect, but also one of the dudes in the band is legitimately named Sam Adams.

Sama Dams’s new release, titled Comfort In Doubt, is a testament to what the band is capable of when bandmates Lisa Adams and Chris Hermsen unite with Sam and displace that sneaky ‘A.’ CID showcases the band’s incisive awareness of compositional, rhythmic, and tonal elements, and their execution situates them among bands such as the Dirty Projectors or St. Vincent. These mavericks of their genre share a common mindset in their attempts to push the boundaries of alternative music, shoving off from the cruise liner that alt-rock has become in their tiny musical dinghy, with just their unorthodox sensibilities to guide them through a turbulent and unforgiving seascape of creativity.

That was dramatic. But seriously, Sama Dams certainly does deliver some refreshingly unpredictable musical tasties that’ll knock that Big Data song out of your sorry head. CID starts with “My Ears Are Ringing,” a tune illustrative of the band’s typical sound. It begins with sustained vocal harmonies (a la Dirty Projectors) between Sam and Lisa before Sam takes us aside to tell us the verse. His dry-throated, emotive voice falls somewhere between Dan Auerbach and Nate Reuss (that will be the only Fun. reference in this article thankfully), and fluctuates seamlessly between loud and soft, high and low, passionate and aloof. The instrumentation is sparse, syncopated, and can seem disjointed at times--but in the most musical way of course. The drums seem to do everything in their power not to intrude on the delicate magic at play between vocals and guitar, making themselves as spare as possible. Near the end of the song, a fuzzed out guitar tumbles out onto the musical canvas and screams through a solo that moves between melody and atonal noise. It’s like a noise solo you would hear coming from the likes of Billy Corgan, but with an emphasis on the noise. Not to disparage Sam’s guitar playing… we just can’t all be Billy Corgan, you’ll understand.

Throughout the album you will see these motifs arise--the jagged vs smooth textures, disjointed and sparse instrumental punctuation, the anything-but-a-standard-rock-beat drums, the noisy solos--along with some other surprises including a few startlingly pop sensible melodies (chorus of “Maggie” or “Ton Weight Down”), which stand as beacons through the avant-haze. If you have an ear for bands that gracefully break the mould of indie, are sick of hearing standard bom-ts-kah (to use a technical term) drum beats, or just want to put another feather in your esotericist cap, Comfort In Doubt is worth a spin. 

Catch Sama Dams live Wednesday, December 17 at the Doug Fir Lounge for their official hometown release of Comfort in Doubt along with the support of psych pop savants Grandparents and dream pop charmers WL.

- Bryce Woodcock

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Live Review: Ladywolf at The Know

Sunday night began with fire-gazing and considering a million things I couldn't shake from my thought process: why are yoga moms on my neighborhood street at this hour? How long am I going to feel out of place in this cruel world?

I had no idea how much I'd be satisfied with the opening act at the Know, Ladywolf. Three-piece baby faced musicians, from beginning to end, raged in their subtle yet effective way through the medium of garage rock. Silly lyrics involving babes, goth babes and beyond weren't off-putting in the least. In fact, as a straight woman, I appreciate them knowing what they like and expressing themselves in this specific way without disrespect. Lead guitarist and vocalist Nik Barnaby's got a way with his oooh's and wails, inserting into songs just at the right moment. All three dudes were together enough, yet still getting it out in their own way to amuse anyone watching. Though most audience members kept their distance, it felt warm and friendly in the venue. 
 
Ladywolf was the figurative fire to end my evening and it couldn't have been done any better. 
 
- Colette Pomerleau 

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Preview: Sons of Huns at Club 21 on 12.12

Sons of Huns and Glitter Wizard will be conjuring evil spirits on Friday December 12 at Club 21. It might as well be Friday the 13th. Club 21, a local favorite could not be a more fitting venue for an evening of evil stoner metal filled with precision fuzz riffs and high caliber musicianship. 

Making their way from San Francisco is Glitter Wizard. Their sound pairs so well with Sons of Huns that I wouldn't be surprised if they did a split release or toured the Netherlands together. Carrying the torch of 70s heavy metal, Glitter Wizard dip heavy into some dark psych sounds that I recommend for your next spin with a Ouija. Not sure if an acoustic guitar will be riding up from San Francisco with them, but the track from their 2012 release Hunter Gathers, “Sunlit Wolves”, would make it well worth it. It’s a standout track and departure from their self-described “pink metal” that channels from some Forever Changes era Arthur Lee. 

Local favorites Sons of Huns need no introduction. Pete Hughes riffs conduct mini dark art symphonies. Here is hoping their track “Rollin’ the Dice” gets put on the next Guitar Hero game and helps pave the wave for a new generation of face melting shredders. 

 -M.Rowan

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Preview: Orquestra Pacifico Tropical at MS Studios 12.4

You Down With OPT? Yeah You Know Me! Portland's premier Cumbia band, Orquestra Pacifico Tropical, bring the fuel for your dance party fire. Warm up your frigid winter hide this Thursday evening at Mississippi Studios in one of your last opportunities to catch this lively troupe before their drummer extraodordinaire Papi Fimbres and wife head to Germany for the year. Turntin the temp up even higher Thursday night, Tezeta opens the show with their jazzy 70's Ethiopian dance music. Music starts at 9. Don't be a dufus, shake yo feet!

- Travis Leipzig

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Best of [YOUR SCENE] 2014 Poll for Emerging Artists - ACCEPTING SUBMISSIONS!

It's that time of the year folks!

Submit your band for The Deli's Best of [YOUR SCENE] 2014 Poll for Emerging Artists - who wins gets featured in our SXSW pocket issue, distributed in Austin during Music Week! (Other prizes to be announced...)

ENTER HERE!

The Deli's Staff


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