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The Deli / Delicious Audio Unofficial SX Show Day 1 (03.15)

We are happy to announce our return to Austin with not one but TWO live show during the famous music festival in the Texan city. The shows are linked to our Austin Synth and Pedal Expo, hosted on the third floor of very central venue Chuggin' Monkey.

This is a free show - RSVP HERE!

Here's the lineup and a playlist for the first night, on March 15, hosted at the Chuggin' Monkey's ground floor right on East 6th Street!

 





Y La Bamba: Mujeres

Y La Bamba’s latest release, Mujeres, weaves a complicated and beautiful story. Each song situates you in a space both abstract and defined. There, you and Mendoza are free to explore. As you go through the album, it expands and contracts and expands again. The limitations of memory, diving into raw and vulnerable identities, and re-imagining histories: Mujeres tackles all of these and more. In exploring her relationship to her Mexican heritage and background, Mendoza forges new spaces and histories. She challenges her audience to do the same with their own narratives. She deftly pucks your heart out of your chest and asks you to see it in a new light.

Of course, this story would be inaccessible if the narrator wasn't so dextrous and intuitive. Mendoza’s voice is at it’s strongest that we’ve seen thus far. Atmospheric and resolute, she turns each song into something that’s strikingly tangible. You can feel her hands shaping the music, akin to a potter sculpting clay. In “Perder” she sings in long, slow waves, only to end the song with hushed, repetitive muttering. The muttering continues on to the next song “Mujeres” and blends the two together. It’s masterful manipulation. It would be surprising if someone doesn't get goosebumps while listening to Mujeres.

 -By Avril Carrillo





Album Premiere: WEEED - You Are The Sky

WEEED is releasing their 6th LP You Are The Sky and The Deli is lucky enough to be the ones to share it with you. While the album is definitely true to the psych-rock heart of the band, its krautrock and occult influences are what really pull you in. Listening to the album in its entirety is akin to walking a path full of twists and turns. One moment you’re peacefully hanging out in a sun-bathed field. The next you’re dancing your hardest in the middle of a hot, sweaty crowd. Above all else, no matter where the band takes you, you’re definitely stoned. It’s incredibly satisfying how WEEED can bring you into that mindset, even if you aren’t actually on any substances. It's fair to say smoking a bowl while playing You Are The Sky is equivalent to eating cheese with wine. So do with that what you will.

WEEED is playing their release show tonight at Mississippi Studios. Dreamdecay and Sea Moss will also be playing sets. You can find out more info here

-By Avril Carrillo, Photo by Sara Kue

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Cay Is Okay's Welcoming Sound

There are a lot of details and nuances in Cay is Okay's music, but one thing that stands out is how comfortable the music makes you feel. This is especially true in their latest release, Lo-Fi. Listening to each song feels like slipping on your favorite old sweater. The album has a quiet, worn-in quality, which makes it all the more tender. Even the more upbeat, rascally songs such as “Call Out” feel friendly and inviting. Part of this is due to the softer D.I.Y nature of the music; the album is named Lo-Fi for a reason. It feels as if you’re hanging out with the band in their garage while they’re practicing. The other aspect is how clean the album is, the result of the member's talent and chemistry. Listening is smooth and easy because the music flows as effortlessly as water.

Cay Is Okay is playing a show this Thursday at The Fixin To with Havania Whaal and Stanford Prism Experiment.

 -By Avril Carrillo





Get Lost in the Apathy of Soft Kill

Punishing isn’t the first word you’d think to describe Soft Kill, an official SXSW artist, but the more their gothic barrages of post-punk and shoegaze pummel into you, the apter the label becomes. On Savior, the Portland-based outfit buries most of their synthesizers into a thundering vessel of fuzz and shadowy guitars. Like streetlights quickly appearing and vanishing again as you drive past them, moments of joy appear only to get smothered in a wave of rumbling toms and a peal of crashing cymbals. It’s a relentless hail of gloom and doom, something akin to The Cure without reveling in any of the performative aesthetics of goth music; Soft Kill is purely here for the raw ennui.

-By Tucker Pennington

 

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