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philadelphia





Garage

Time: 
08:00
Band name: 
Honey Radar
FULL Artist Facebook address (http://...): 
https://www.facebook.com/HonoluluJangle/
Venue name: 
Boot & Saddle
Band email: 
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New Curtis Cooper LP Available for Streaming & Purchase

Graceful, the new full-length album from Curtis Cooper, exhibits an honest, emotive vulnerability - one that reveals a vast, genre-traversing elegance. While touching on turbulent times, Cooper also exudes perseverance and positivity. The album holds one’s attention with compelling narratives and a charming, calm/intense dynamic. Along with Lucky Cat, they are scheduled to support Mal Blum on Sunday, July 21 at PhilaMOCA.





New The Barren Marys LP Available for Streaming & Purchase

Wired Wrong is the new LP from punk quartet The Barren Marys, and is available via Violated Records/Suicide Bong Records. Sprinting out of the gates, the album meshes an innate, adrenaline-fueled intensity with a light-hearted (at times) lyrical approach. Mirroring daily life, it addresses serious issues, while still finding time to have some fun. The Barren Marys are slated to perform next in Philly on Saturday, July 27 at Connie's Ric Rac, with The Lot, Conmen, and Mala Vista.

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Krust Toons: "Touring the Northeast" by Tedd Hazard

Krust Toons: "Touring the Northeast" by Tedd Hazard - please feel free to drop him a line at teddandthehazards@gmail.com if you dig or have any funny ideas. You can also check out more of his illustrations and animation shorts HERE.

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The Deli Philly’s June Record of the Month: Active Listening: Night on Earth - Empath

Active Listening: Night on Earth (Get Better Records), the debut full-length album from the quartet of Empath, immerses the listener in a chaotic, cathartic sonic world. The awakening sounds of birds chirping give way to Emily Shanahan and Randall Coon’s assertively warped combination of electro-bass and synth on album opener, “Soft Shape”. Catherine Elicson’s vocals hover between a restrained hushed tone and a more pronounced power. The instruments weave creating a complex yet streamlined sound, before Garrett Koloski’s drumming is unleashed, stepping to the forefront and bashing away towards the song’s conclusion.

Spring-loaded “Pure Intent” toys with tempo, constructing an exuberant, disorienting environment, with brief, calming, vocal moments of respite. Caught up in that whirlwind, everything becomes so hazy; however, after the storm, reassuring keys and softly strummed guitar conceive a serene backdrop, before the abrupt kick-start of “Hanging Out Of Cars,” with its jagged-guitar rev. Joined by bustling percussion and the contrasting, softer key tones, the track blends a rugged, uncompromising approach that is exuded in the blunt, raw force of the guitar-percussion combination. “Where I take you is where I take myself, an empty is left most I ever felt.” Halfway through, the traffic disappears, and the road opens up as a soothing, electro-reverberating clarity emerges.

“Roses That Cry” appears to mesh theories on learning to accept and deal with the present, (“They say everything aging all the time together/As the clutter comes alive, comes in bed, nowhere to hide/Don’t waste your time judging kindness/“We say hell is forever, and what is the cost? Is this it?”), while also expressing optimism and nostalgia (“Are you coming around?/You’d like to, but you don’t know how/Remember when that tree fell on your car”). There’s a sense of hopeful warmth and memory illuminating the song, amid the swirl of noise. A blitzing, brutal instrumental brightness hits on “Rowing”. There’s no slowing down, as the track races with compact precision, appearing ready to fall off the rails, while still maintaining a melodic connection. 

With “Heaven,” there is an impactful interlude into the psyche, as brief thoughts are delivered in a free-flowing manner. “I just want to get to heaven.” Clairvoyant, floating keys form an ethereal atmosphere throughout “IV,” as the rest of the instrumentation provides a more detailed texture. “Decor” marches fantastically forward in an inviting manner. The vocals retain a soft, assuring nature. “Deep down, nothing changes where you’ve been.” The LP returns to form with “Redeo Fever” surging ahead as Elicson sings: “Say a little prayer, the most that I could bear/All I have to glean is the experience.”

Empath’s latest collection of recordings exudes a thoughtful, noise-infused intensity – one that requests an intent ear and rewards the listener in the process. (Photo by Troy Memis) – Michael Colavita

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