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Electronic





Festival Debut: Gathering of The Tribes at Public Works in San Francisco - 9/13

Editor's Note: Jonathan Cárdenas of Pow Magazine and San Francisco Great Society put a lot of time into curating this exclusive peek at the upcoming festival, Gathering of the Tribes. This fest celebrates and works to promote and preserve the spirit of psych music in San Francisco. Founder, Dennis Gonzales is very passionate about his work and his efforts to support psych musicians from all over the US. The Bay Area is lucky to have him and the community of amazing promoters and musicians who help keep the spirit and tradition of supportive, familial music and arts communities alive and well. -je

The Gathering Of The Tribes is a festival centralized exclusively in itself and its own breed of musicians and artists. San Francisco has had other festivals in past years, but this one aims to showcase the Bay Area’s breed of psychedelia and its sub-genres, as well as celebrate its musical and artistic ancestry. The name is borrowed, or you could even say revitalized—resurrected—from the Human Be-In that took place in Golden Gate Park, January 14, 1967. This is when Haight-Ashbury became symbolically immortalized as a counter-culture mecca. Our festival celebrates San Francisco’s past and present, and aims to push forward its music and arts in a positive and progressive direction, preserving it for the good of the Bay Area and to keep things groovy.

“We are the San Francisco Preservation Society—God save the Acid Tests, Beatniks and notoriety.”

Hopefully you got that reference. But no, we’re the San Francisco Great Society. 

Founder, Dennis Gonzales: I've been running Pow Magazine since 1986 and being entrenched in the music community for several years as a social media journalist, I can tell you SF music is not only alive, it is about to explode into a new movement unlike anything seen since the first music scene in 1965. Everything about our Society and our festival is a familial, grass roots effort.  Amoeba is sponsoring the event—they too have promoted it on their Facebook page as well as Twitter. Pow Magazine, Counter Culture Artist Management, and Innerlight Presents are altogether presenting this festival. We have reached out to the best of the Bay, and most have said “yes.”

Clay Andrews of The Spiral Electric and Innerlight Presents: If the festival is comprised of bands that are all touring and far away, and everybody has all their records—that’s great and all; you have to bring people to the event, but at the same time it’s like—don’t just throw a fest where you just bring an import of things because that’s not really doing anything for the local scene. It’s not exposing people to what’s actually happening right now in their backyards.

Derek See SF DJ, musician and music collector: One thing I’m especially excited about is hearing and meeting bands that I don’t know even though they're local. Because of what i do for a living, i have to get up real early in the morning on weekends—I do go out and see live music when I can, but never as much as I’d like to, whereas at this festival I’m just super stoked to be able to experience and hang out with like-minded folks.

Performing at SFGS: Gathering of The Tribes
at Public Works in San Francisco on September 13th

The Gentle Cycle
Buzzmutt
The Spiral Electric
LSD and the Search for God
Down and Outlaws
Cellar Doors
Down Dirty Shake
The Love Dimension
Mark Nelsen
Sea Dramas
California Raga Association
Lee Gallagher and the Hallelujah
The Green Door
Carlton Melton
Mystery Flavors
The She’s
Electric Shepherd
Zodiac Death Valley

Visuals by:

White Light Prism - vimeo.com/user6728976
Mad Alchemy - www.madalchemy.net
Andy Puls - www.videopaws.com

DJs:

Abel Oleson
Derek See
Michael Tarin





Exclusive Album Stream: Crooked - Crooked Cuts Vol. 1 EP

We always have our ears pressed to the ground for brand new music! We also get excited when we learn about new emerging bands from the Bay Area as well!

Crooked is a new and heavy electro soul band with deep roots in the San Francisco Bay Area music scene. The Crooked Cuts Vol. 1 EP, mixed by Joel Hamilton (Black Keys, Lettuce, Highly Suspect), consists of four unique tracks that set a vibey and slightly haunting stage for a collection of additional songs to be released this fall. With a heavy drum and bass foundation, the tracks are accented throughout with spacious keys and a deeply soulful yet edgy voice. The four piece draws upon a wide spectrum of influences and merges them into a hypnotic feel that dynamically shifts from spacey soul to driving electronic and distorted alternative anthems.

Crooked's style is sultry and a bit innovative. It's R&B you can take seriously. We recommend you give this band's new album a spin and enjoy what they have to offer. It's refreshing to see new projects arise in the Bay!

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Boss Battle, The Nimbus, Tone Royal and The Villas: The Deil's Early September Artist of the Month Nominees

Deep summer is a good time for music in Texas. That weird auburn heat that comes down, part the blonde of summer and part the brunette of fall means you can actually get out about in the summer sun and take walks and drives and hang on patios and listen to some goddamned music without wondering if you’re gonna die if you don’t stay perfectly, freakishly hydrated. Change is comin’, and I dunno, maybe I’m alone in this, but it feels like a time when certain tracks and types of music fit the general mood of the earth that don’t always fit at the same time. It’s a pretty nice vibe.

Speakin’ of, here’s what we’ve got for you to vibe to for the end of the month’s Artist of the Month poll, and why we think they’re the shit. This poll is ending quite soon, tomorrow in fact, but we thought we’d give a little last bit of edge to the competition by dropping it all right here for you to gander at, compare, and choose your own personal victor. Put your ears under the tap and let it flow in, and then take that imbibed energy and convert it directly into a vote upon the voting block at your right, if you have not yet and are so inclined. We’ve got a couple early-fall appropriate electronic rock bands, and an introspective hip-hop act appropriate for that change-is-coming feeling, and an indie band that will soundtrack those last golden dyin’ days of the summer just perfectly for ya, so let’s dig in to this month’s selections.

 

Boss Battle

Boss Battle has just one track available online right now, but they are a band in the process of dropping hard onto the scene. They’ve only been around since 2014, but this first single “Ride” (which just officially dropped 8/31/2015, but which has been kickin’ around the net for a while) is some hard pounding electronic-heavy rock good times. As they call it, the “megapop dual lead vocals” dominate and drive this track that’s got a Mindless Self Indulgence pop/hard/electronic/weird thing goin’, but which is more trying to nail the good pop song instead of just weirding people out. Well-thought of and known Ohm Recording Facility producer Chico Jones provides one half of said vocals, giving this band his 28 years of recording experience and a notoriety boost off the bat, and a slew of recent shows and the looming release of EP “Attack Time” get Boss Battle their nod for this edition of the Artist of the Month poll.

 

The Nimbus

The hype on The Nimbus is a little early, but well deserved- the band is on the eve of a 7” releasing on September 17 at a show at one of Austin’s best and most underrated clubs, The North Door on East 6th and I-35, but we thought we’d nominate them now because of just how excited we are for more from this band. The Nimbus’ own take on electronics drenched rock music is stylistically, in turn, steeped in the 80s new wave and gothic styles, with clear dramatic vocals over layers and layers of melancholy electronics, heavy thudding beats and droning guitars. The upcoming 7’ and supporting shows along with the just-so-enticing teaser video released for the new record get The Nimbus some deep support here at The Deli, and the early but definitely warranted Artist of the Month nomination. Check out the teaser below.

 

Tone Royal

We profiled Tone Royal a few weeks ago just after the release of his damn solid debut album Rushing Greatness, and since even that short time ago, it seems like this man’s star has risen considerably. Right now he’s up for not just our Artist of the Month, but also is promoting himself in the San Antonio Music Awards poll and is climbing the charts at Reverb Nation. He was also recently featured in a My San Antonio article on emerging twenty-something’s from the area, and he’s got a big show lined up at The Korova (8/19). He was also set to be a feature at Weird City Hip-Hop Fest until its quite damn depressing cancelation about nine hours before this posting, but despite that sadness (that’s really a blow to the whole area’s hip-hop scene, and not just Tone Royal), this young man is making waves with the smart delivery on his new album, which you can read more about in our recent review here, and which you can listen to in full below.

 

The Villas

It’s pretty hard to make an impact with just a few songs available, but like Boss Battle above, The Villas have done just that with three lovely tracks from upcoming record Long Player. The Villas do a thing that’s very rooted in the traditional indie rock formula of the 90s and 2000s with little electronics, a punk-gone-nicer feel and big and/or surfy guitar chords over some twangy bass and beats that change-up pretty frequently. Vocals that equally snarl and smile and lyrics like stand-out track Julie’s that say “It seems to me/You’re the apple on the tree/Waiting for the sun/It’s my time” that hearken back to indie rock’s roots in approachable suburban-era good if a little cynical feelings make these three tracks stand up as some of the best Austin indie of the year, and make this young band quite intriguing indeed.





Yassou Releases First of Music Video Series - Fall Again

The San Francisco based avant electro band, Yassou has released a disturbingly creative music video for their single, Fall Again. Yassou has a plan to release a series of five music videos that have been strategically scheduled to be released throughout the upcoming Fall season:

Fall Again (Thursday, August 27)
To Win / YoungBlood (Thursday, September 10)
To Sink (Thursday, September 24)
The Woods (Thursday, October 15)
In These Summer Nights (Thursday, November 5)

It's been argued that we see music more than we hear music; a phenomenon that began with "Girls On Film" and grows with every viral, visual interpretation that corresponds to an artist's output. Fully submersing themselves in this ideology, Yassou have taken the opportunity to do what bands and solo artists should have started doing years ago since we moved into a singles culture, and that's push the video first, and let the music ride its tail. Their release schedule is this: release five videos for five songs. No physical or digital release. That's it. That's what the people want. No "album cycle" and no "pre-releases". It's a consumer-friendly schedule, but even better, the videos are magnificently produced.

Watch Fall Again below:

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The Wicked Electric Machinations of Dark Wave Act Mirror Mask

Dark wave electro-industrial duo Mirror Mask released a wickedly glum love song called, ‘Get Back,' earlier in the year. The track is dripping in new wave romanticism and electric machinations like some illegitimate lovechild of Cabaret Voltaire and Tears For Fears. Fans of Trent Reznor and Atticus Ross collaborations or Pilotpriest will dig the edgy foreboding musical textures on this gothic electro-pop song from Mirror Mask. ‘Get Back’ sounds as if it would be spun in any dimly lit after-hours EDM club in the 80’s or any decade thereafter, and hopefully we’ll get an EP or album sometime in the near future from the talented duo. For now you can check out the song below, and make sure to come back here for updates on the group.

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Tavon Perkins

@tavonperkins

 

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